Εμφάνιση αναρτήσεων με ετικέτα Lisbon. Εμφάνιση όλων των αναρτήσεων
Εμφάνιση αναρτήσεων με ετικέτα Lisbon. Εμφάνιση όλων των αναρτήσεων

Σάββατο 11 Μαρτίου 2017

Identity: representations and practices Editors Silvia Valencich Frota Marianela Barrios Aquino

Editors’ introduction

Marianela Barrios Aquino  Silvia Frota

University of Sussex University of Lisbon


This there is at least one point that seems to reach agreement: the inter -
disciplinary nature of the study of identity and the necessity thereof.
By interdisciplinarity we mean the possibility presented by the fertile
space between disciplines (McGregor, 2005:4 ) to shed some light upon
the subject of identity, that is to say, to conduct identity studies using
theoretical and methodological frameworks developed under the scrutiny
of different disciplines will result in a unified body of knowledge beyond
that of the individual disciplines. Ideally, the interdisciplinary nature of
the work is such, that “the sum of its parts, the whole has totally different
properties, to the point that the original contributions are no longer
identifiable” (McGregor, 2005:5 ), thus becoming one single, coherent body
of knowledge. This is also first and foremost the perspective of this book,
and the authors here included have greatly succeeded in establishing a
coherent and consistent dialogue between the disciplines involved in their
research.
Although interdisciplinary research seems to be a desired reality, the
realization of this principle should not be taken for granted. As a matter
of fact, in our perspective, it is still an issue to be considered and its success -
ful application should be celebrated as a great success in mediation, to be
attributed to the researcher. Sometimes — perhaps more often than not
— academic prejudice prevails and researchers from different fields look
at each other with a certain lack of confidence or at least with a certain
awkwardness.
We are not only referring to the broader philosophical, theoretical or
ideological side of interdisciplinary work. Instead we are set to consider
some practices that underlie academic fields and that are set in motion
almost surreptitiously /unconsciously. What makes a paper readable?
Which are the criteria or characteristics that determine the quality of a
paper in an academic perspective? What kind of language, structure and
content should an academic paper have? Is there an academic culture or
even an academic identity that should run through all the papers/works
that want to be considered “academic”? Entitled to the academic label?
And where does that ‘culture’ come from?
However, while although the vast majority of scholars would probably
agree upon the value of diversity, the respect of differences, the un avoidable
and healthy, prolific, productive ampleness of interdisciplinary work, they
would probably demand a common ground, something that would make
those texts recognizable as academic papers, infused with academic value.

Παρασκευή 21 Αυγούστου 2009

Wim Wenders, Lisbon story

Ένα φιλμ για τους ήχους της πόλης και τις ιστορίες που οι ήχοι αυτοί αφηγούνται...LISBON STORY
1994
Σκηνοθεσία:
Wim Wenders
Διεύθυνση Φωτογραφίας:
Lisa Rinzler
Μουσική:
Madredeus
Διανομή:
Rόdiger Vogler, Patrick Bauchau, Teresa Salgueiro and Madredeus
Η ιστορία μας ξεκινά με ένα τηλεγράφημα με το κρυπτογραφικό μήνυμα:

"Dear Phil, I cannot continue m.o.s.! -- S.O.S.! -- Come to Lisbon with all your stuff a.s.a.p.! Big hug, Fritz."
Το a.s.a.p. σημαίνει come AS SOON AS POSSIBLE. Αλλά το m.o.s.;
Στην κινηματογραφική γλώσσα σημαίνει "silence".
Όλη η ταινία επικεντρώνεται στο νόημα της τέχνης στα τέλη του 20ου αιώνα και στο τι καινούργιο μπορεί να προτείνει.
Η επιλογή της Λισαβόνας δεν είναι τυχαία. Η ίδια η πόλη αναζητά εκ νέου, χωρίς βεβαιότητες, την ταυτότητα της και με ένταση αναδεικνύονται οι ήχοι της ως μόνη δυνατότητα πρόσβασης στη μυθολογία της. Οι Madredeus αυτό ακριβώς προσπαθούν. Να υπάρξουν σε ένα "σήμερα" που νοηματοδοτείται από το χθες χωρίς, όμως, να απορροφάται από αυτό.



Fernado Pessoa-Alvaro de Campos. Lisboa

Nao sou nada.
Nunca serei nada.
Nao posso querer ser nada.
A parte isso, tenho em mim todos os sonhos do mundo.
_____________________________________________________
I am nothing.
I will never be anything.
I cannot wish to be anything.
Bar that, I have in me all the dreams of the world.


Alvaro de Campos: "The Tobacco Shop" (Tabacaria) (tr. Miguel Peres dos Santos)

Πέμπτη 20 Αυγούστου 2009

Fernado Pessoa. Lisboa

Μ’ αρέσει να ταξιδεύω, ν’ αλλάζω χώρες
Να είμαι πάντα άλλος,
Ψυχή χωρίς ρίζες,
Να ζω έξω από αυτά που βλέπω.

Να μην ανήκω σε κανέναν. Ούτε στον εαυτό μου.
Να πηγαίνω μπροστά, ξοπίσω να παίρνω
Την απουσία κάθε σκοπού.
Και την επιθυμία μου να τον πετύχω.

Αυτό είναι για μένα το ταξίδι.
Αλλά εκτός από το όνειρο για το ταξίδι
Τίποτα από μένα δεν υπάρχει σ’ αυτό.
Όλα τα άλλα, γη είναι και ουρανός.


20-9-1933

Fernado Pessoa Η μάσκα πίσω από τις μάσκες
Μετάφραση Γιάννης Σουλιώτης

LinkWithin

Related Posts with Thumbnails